Page 30 - Here and Now – Apr 2024
P. 30

The story is beautifully woven and one gets to see both the women getting familiar with the
                unknown and the unfamiliar. This is so much like our ISABS labs where we start conversations
                and start getting to know and understand each other though we are strangers. When I reflected
                on the film later on, I was struck by the similarities of the journey of these women to selfhood

                and that of participants in our labs.

                The contrast between the two women is shown in the way the railway catering woman asks this
                young girl about what her mother taught her and what she ought to have known, versus the
                mother-in-law  of  the  home-bound  womanwho  says  a  girl  should  not  be  calling  out  her
                husband’s name. The movie also has scenes showing how a woman curbs her small desires like
                a dish she used to like earlier, but after marriage gives up, focusing only on what the men in her
                marital family want or desire. Patriarchal norms are normalized and even romanticized subtly
                during their conversations.


                How to or who breaks these norms or stereotypes unfolds in the movie just as processes do in
                a lab. Listening, being with the others, understanding, empathizing, at times confronting like
                the railway stall woman does but with care. Self-awareness, sensitivity to self and need to take
                risks are other elements which are so wonderfully knit in this film.

                Another woman in the family who is naturally talented hides her talent since the woman is only
                supposed  to  know  household  chores  and  childcare  and  not  be  proud  of  her  other
                accomplishments.

                As I watched the movie all the human elements came to the fore. My own stories unspooled as
                past memories – of what unfolded in a lab about my being eclipsed in my roles and not being

                aware of my needs. How I became aware of some my behaviors in the lab and was able to break
                the shackles and work on them. Just like Phool and Jaya were able to do it in the film. In very
                contrasting ways, that’s what is so true of our process work: each one carves their own ways to
                awareness and find beauty in life. The little moments that mean so much to a woman, are so
                refreshing and liberating are shown as well.

                The time the two women spend in their respective lab - like environments for me were the
                highlights of the movie. For the two ‘laapata ladies’, it was a ime to experience, experiment and
                learn from.


                The young lost bride in the railway platform makes a choice to move from fear to trust to self-
                belief. To create conducive conditions from the available resources.









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