Page 29 - Here and Now – Apr 2024
P. 29

Lost & forgotten behind the veil – review of movie ‘Laapataa Ladies’


                “Being happy on your own is the toughest thing but when you master it,  there is nothing like
                it.”

                                                      Simplicity has always intrigued me. How it is possible to
                                                      deliver a powerful message in a seamlessly beautiful yet
                                                      ‘simple manner’!

                                                      I happened to watch a movie by name “Laapata Ladies”
                                                      (Lost Ladies) in the theatre last week. It was such a joy
                                                      to watch and experience a movie which kept me and my

                                                      family members entertained and engrossed at the same
                                                      time.

                                                      The movie did not boast of big stars or known actors but
                                                      the  characters  were  real,  authentic  and  simple.  The
                                                      storyline  is  about  two  brides  who  get  lost,  and  no
                outsider can identify them because they have not seen them because of their long ghunghat or
                veils. The veil a symbol of women’s identity (or non-expression) in this case. So much so, that
                when one of the women is left (unattended), she is not aware of what she needs to do.


                One  of  the values  that  this  woman  lives  is  what  her  mother  taught  her  -  not  to utter  her
                husband’s name. Is that surprising? Not really. (I recall many married women addressing their
                spouses as ‘Suniye, zara idhar aayiyae’  (Listen, can you please come here?). Or after she gives
                birth, she calls out to her husband ‘Bablu ke papa thoda suniye!’  (Bablu’s dad please listen to
                me!). All of these are some of her ways to attract attention. Sadly, these are not yet available to
                the newly wed just out her parent’s home. She is unaware of the address of her marital home
                or its whereabouts; why, even the name of the village. The only thing she remembers is that it’s
                the name of a flower.  What is touching is the innocence with which she shares all this.


                What angered me while I watched the film was that the so-called norms exist only for girls, not
                boys.

                The other woman also gets ‘lost’ or exchanged but seems to be aware that someone is asking
                her to get up and quickly. She is the one who is more aware of her needs, wants and desires.
                She also questions the ills in the social system, alhough she has to use manipulative ways to
                fulfill some of her needs. She lands up in the place where the first, more innocent and naiver
                one is supposed to be!






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